The plays need cutting - both prose and verse. What is left becomes a visual jumble. I put it all back on the page as the character thinks, with the length of the lines determined by the connectivity of the thoughts and the width of the page. Occasionally, I even kerned (scrunched) letters across the page in the longest of connected thoughts. Sometimes, three short lines, or separate thoughts, are one on top of another. The words are still Shakespeare's; just fewer of them and put on the page as a modern actor might think and play them.